Cultural Critique of a Hong Kong Christian

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2018年5月30日 星期三

《血色攞命花》(Revenge)

《血色攞命花》(Revenge)是Rape/Revenge Exploitative類型,風格其實不算太cult,攝影、鏡頭運動、剪接,動作編排相對來說都是認真仔細的。一些靜態長鏡頭、以一鏡直落手搖鏡營造緊張氣氛、克制的配樂運用等等細膩的技巧,皆異於cult片的粗糙美學。女主角大難不死而有能力反撲的具體情節當然違反現實情理,但不會比Rambo更誇張。如果想看女主角裸體的話會失望,但想看男主角裸體的話則有驚喜--最後更是赤條條條條揈地決戰,或者這算cult啦。 / 以前Rape/Revenge電影的套路是,女主角是城市女孩,在蠻荒地帶被侵犯。《血色攞命花》的侵犯者是有錢、有權力、有槍械知識、有狩獵技巧的男人,把女主角當成玩物,女主角則是以美色換取社會上流機會的無知女孩;兩者的位置和以前的Rape/Revenge電影相比是對調的。文明/野蠻的鬥爭變成了來自文明社會但地位不對等的兩性,在蠻荒地帶的鬥爭。你可以把這看成一個隱喻:兩性的不平等其實就是野蠻,侵犯女性的「文明」是假象。所以最後光脫脫的那個是男是不是女,暴露其野蠻的本相。 /

Revenge (2017) appears to be a Rape/Revenge exploitative movie, but its aesthetics is not really cult, except for some blood spilling graphic scenes. The camera movement, montage, use of background music are quite refined. The rape scene is undertoned, and it is the male antagonist, instead of the female protagonist, who is naked. Unlike the routine of the subgenre, Revenge is not about a city girl attacked in an uncivilized place, but one attacked by her city fellows who are richer, more powerful and skilful -- in a no man's land. It can be read as a metaphor: the oppression of the female in modern society is not civilized at all, it is actually uncivilized even if the offender is richer, more powerful and intelligent. This interpretation helps explain why it is the man offender who is stripped naked at the end. / 
賴勇衡Bruce(@bruce.film.cat)分享的貼文 於 張貼

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